4/30/2023 0 Comments Vampire diarie reviewAfter straddling the line between both worlds for years, the show’s heroine was thrown headfirst into one full of misguided passion, hedonism and murderous impulse – as good a metaphor for adulthood as any.īut where Buffy may have used its supernatural elements to explore the horrors of experiencing high school, The Vampire Diaries was a little more nebulous with its metaphors.Īt any one time the show could use a vampire’s ability to turn their emotions off at will as a metaphor for numbing depression and grief, falling off the wagon or just giving up on humanity entirely. In sharp contrast with the Bella Swans of the literary world, Elena remained adamant throughout the first four seasons of the show that she didn’t under any circumstances want to become a member of the undead herself. After becoming a vampire she decides that Damon’s more her speed, but then an ancient prophecy pulls her and Stefan back together. After years of indecision, we’re told that Elena chose Stefan in the season three finale because she’d met him first, but then we discover that a prior meeting with Damon had been wiped from her memory. So the love triangle itself was never the issue, but the lengths to which the show went in order to leave it unresolved bordered on the ridiculous after more than five seasons. The love triangle was baked into the premise, but somewhere along the way the writers realised they could play around with expectations and play the long-game with its heroine’s affections. Damon, meanwhile, was redeemed enough by his own love for Elena that she started to have feelings for him also. In a sped-up version of Buffy’s own arcs with Angel and Spike, the first 22-episodes featured Stefan falling in love with Elena, revealing that he had a bit of a problem with blood, turn dark, be forced into “rehab,” and then return to his hero status. Both of these character types are quickly ‘woobified’ (adopted and endlessly apologised for) by the fandom, and battle lines will be drawn over who the heroine should ultimately have her happy ever after with.Īll of this happened in The Vampire Diaries’ first season. The second was Buffy‘s Spike-type, a more dangerous vampire who takes gleeful pleasure in killing his victims but had a certain smoulder that’s impossible to resist. He probably struggled with his true nature, and intense self-flagellation would follow the occasional binge. The first was the Edward Cullen-type, dark and broody but also incredibly endearing and romantic. Let’s start where the show itself started: with Elena Gilbert and her two vampire suitors.īefore The Vampire Diaries, teen bloodsuckers tended to fall into two categories. Torn between two brothers (feeling like a fool)
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